Yuletide Letter

Oct. 18th, 2026 03:29 pm
dira: Bucky Barnes/The Winter Soldier (Default)
[personal profile] dira
Dear Yulewriter!

Hi there! I am DELIGHTED that you love one of these things I love! Please, please remember that optional details are optional and write what makes you happy!

Some things I like, not necessarily all in the same story:
-Hurt/comfort, heavy on the comfort, recovery from past/canonical Bad Things
-Domesticity, quiet moments
-Intimacy, sexual or otherwise, the sometimes hilarious weirdness of being so close to someone else, physically or emotionally
-Kidfic, characters interacting with kids, all varieties of accidental baby acquisition whether temporary or permanent
-Cuddles, blankets, coziness, etc.
-Characters being really competent at what they do, even if they have limitations in other areas. Or very competent characters looking at something they don't usually do and figuring out how to be very, very good at it very quickly.
-Winter or holiday stories appropriate to the world of the characters!

DNW: Bummer stories beyond the sad stuff built in to canon. Sad endings, permanent losses, or a focus on acute grief rather than healing. Action-heavy or plot-heavy stories.

( The Secret Garden - Frances Hodgson Burnett )

( Bodies of Magic - Freya Marske )

( The Chronicles of Osreth - Katherine Addison )

podcast friday

Oct. 16th, 2026 06:45 am
sabotabby: (doom doom doom)
[personal profile] sabotabby
 Today's rec is yesterday's Wizards & Spaceships episode: "Cosmic Horroro ft. Devinder Thiara and Jesse Scoble." They're two game designers who are now making a cosmic horror Western comic called Dead Money, and for Halloween they join the W&S crew to discuss the genre, the challenges of writing the unknowable in different mediums, and the multitentacled elephant of the room of HP Lovecraft's racism. Check it out!

Community Recs Post!

Oct. 15th, 2026 09:29 am
glitteryv: (Default)
[personal profile] glitteryv posting in [community profile] recthething
Every Thursday, we have a community post, just like this one, where you can drop a rec or five in the comments.

This works great if you only have one rec and don't want to make a whole post for it, or if you don't have a DW account, or if you're shy. ;)

(But don't forget: you can deffo make posts of your own seven days a week. ;D!)

So what cool fics/fanarts/podfics/fanvids/fancrafts/other kinds of fanworks have we discovered this week? Drop it in the comments below. Anon comment is enabled.

BTW, AI fanworks are not eligible for reccing at recthething. If you aware that a fanwork is AI-generated, please do not rec it here.
snickfic: Jamie Lee Curtis as Laurie Strode in Halloween 1978 (Halloween Laurie)
[personal profile] snickfic
This is it. I have caught up with the entire backlog. Except the Oasis doc. Damn it.

--

Night of the Comet (1984). Two teen sisters in LA navigate a strange, empty new world after a passing comet obliterates almost the entire population of the earth.

Going in, I had no idea what this was except that it was an 80s horror movie starring female characters. I was quite surprised that the titular night of the comet only takes up maybe the first ten minutes of the movie, and I was also surprised the night ended with a mass extinction event! Did not expect this random movie to go that hard!

What this actually is about is the aftermath as sisters Reggie and Sam look for signs of life, go shopping, fight off scary assholes and zombies (two separate groups), and join forces with a nice truck driver named Hector. Also there are some surviving scientists trying to invent a serum to reverse the lingering effects of the comet.

I really enjoyed having no idea where this was going at any point. I liked Hector a lot, and the fact that he’s Hispanic feels, idk, notable as a lead in a movie like this? There’s also a whole conversation between the sisters explicitly about whether he’s gay, which again feels kind of wild in a movie this old, although that may be my ignorance talking. I loved the sisters’ secret backstory of being raised by a marine father who gave them snobby opinions about automatic rifles. Apparently the younger sister was inspiration for Buffy Summers, so I have to love this movie for that alone. And I felt like it really stuck the landing emotionally and tonally.

Overall, definitely a time! I'm not mad I had it!

--

Never After Dark (2026). A young woman who lives in her car and travels as a medium helping dead spirits to move on, with only the spirit of her dead sister for company, comes up against a new and more powerful spirit haunting an isolated hotel.

This is a Japanese-language movie by American director Dave Boyle, and it's my favorite ghost story movie that I have seen in quite a long time. Airi’s blasé approach to dealing with the dead is refreshing and also tragic, because it’s clear how isolated she is. “I’m more comfortable with the dead than the living,” she says at one point. “I never know what the living want.” Her relationship with her dead sister is the heart of the film, and the burden of guilt Airi bears over that death reminds me a bit of the arc of Adam Scott’s character in Hokum, except this feels so much more real and less manufactured to me. I found the ending really effective.

This movie also has fantastic vibes and great atmosphere. It's a very autumnal-feeling movie, great for Halloween season. The isolated one-time hotel turned house is an incredible set piece, especially the haunted upper hallway. If your favorite thing about Damon McCarthy’s movie Oddity was the house, then this movie is for you! I also enjoyed the partial genre switch partway through from strictly a supernatural haunting story to one incorporating other horror elements.

I will say this has a lot of teeth horror. I definitely was covering my eyes in the theater for a few moments. Even the sounds were a bit much.

In conclusion, I loved this. One of my favorite horror movies of the year, and I gave it a 4.5 on Letterboxd. If this sounds like your jam at all, definitely check it out—in the theater, if you can, although I think it’s probably almost gone.

--

Fresh Meat (2026). An anthology film produced by the creators of the YouTube horror channel Dead Meat, featuring 13 short films and a wraparound segment written and directed by Dead Meat founder James A. Janisse.

I watched trailers/promos for the 30 finalists earlier this fall and voted on my favorites, so I was very excited to see this in the theater and find out what got through! The segments are a bit hit and miss, like all anthology films, but I think the segments are shorter than in V/H/S, for example, so there are more of them and you get wider variety. There are 1.5 animated segments, for example, and the one that’s half-animated is also in Japanese, which is neat!

I would say there were not any that worked absolutely 100% for me. However, my top favorites were:
• Psychopomp, about a guy at a carnivale offering "ten minutes of adrenaline" on a bus called the Demon Bus. Great makeup, I liked the conceit, and the lead actress was great. This is the one I voted for as my favorite.
• What's in the Bag, a faux TV segment about a woman showing what's in her bag. LOVED the actress and the conceit, it looked great, but I really needed a few lines to explain wtf happens in the second half.
• Jinx, about a married couple who finish each other's sentences and then find they're more connected than ever. Frankly did more with the theme in five mins than Together last year did in an hour and a half, and the ending really elevated the whole thing.

The wraparound segment stars James as a butcher whose daughter feeds meat to the freezer in the back, which shows her stories (the shorts) in exchange. I'm not sure I'm persuaded by James as an actor, but maybe I'm just too used to looking at his face. The short LOOKS great, though: great set design, great lighting, everything looked so delightfully grimy. Really good atmosphere. And the child actor is fantastic.

This showed one night only, so not on the level of Markiplier and Iron Lung earlier this year, but it made $288k in 564 theaters with no marketing budget, so hey, not bad! And if you're in Canada, I think it's showing tomorrow instead, so you still have a chance to check it out.

Yuletide 2026 Dear Author Letter

Oct. 14th, 2026 06:41 pm
minnarr: leia (Default)
[personal profile] minnarr
Hello, dear author! I have given possibly too much information. In each section, you will find fandom-specific DNWs at the top, and then discussion of what I enjoy about the fandom and what I might like to see in a fic (totally optional prompts).

I am willing to receive treats.

Long (non-fandom specific) list of favorite tropes and themes: family (found or birth) and friendship, platonic intimacy, polyamory, historical detail/period pieces, time travel and dimension-crossing, secret identity, political intrigue, AUs generally, loyalty, finally getting to live when you thought that was off the table, mutual pining, heists, only one bed, fake dating/marriage and arranged marriages, truth or dare (and other games that involve gambling your closely held heart), fleshing out minor characters, trying to explain the changes in your life since the last time you saw someone but it ends up sounding absurd because your life took some wild turns, interactive fiction/games/puzzles, found media/epistolary and other nontraditional narrative structures

( American Girls: Samantha - Various Authors )

( The Golden Slipper and Other Problems for Violet Strange - Anna Katharine Green )

( Twister (1996) )

( She's the Man (2006) )

Reading Wednesday

Oct. 14th, 2026 07:07 am
sabotabby: (books!)
[personal profile] sabotabby
Just finished: Hustle, Baby by Priya Guns. I don't have a lot more to say about this but it's quite good throughout; I felt the ending was too rushed to feel climactic or satisfying, and I reiterate my issues with that mid-2000s thing of short sentence fragments (is that just a mid-2000s thing? I don't think I read enough realist fiction to be clear) but the setting, characters, and sharp-edged anti-capitalist satire cover a number of flaws.

Currently reading: Summer Sons by Lee Mandelo. This one was recommended to me ages ago (I forget by whom) and has been on my list forever. It's a Southern Gothic dark academia queer horror that ought to be more up my alley but something about it is bugging me??? I'm not sure what. It's about Andrew, who was about to join his best friend/adopted brother/obviously the love of his life Eddie at grad school at Vanderbilt when Eddie suddenly dies by suicide. Also they could both see ghosts. Eddie was rich and left Andrew a house (along with a roommate, Riley) and the one prof is very keen to have Andrew continue the research into folk stories that Eddie was doing before he died. Somewhat reluctantly, because he's quite a disagreeable person, Andrew falls in with Eddie's old crowd, who do a bunch of drugs and race cars. He keeps having visions of Eddie's revenant and is convinced he was murdered.

The vibes are pretty great and it's a fun read, but I'm waiting for something more. Humour, maybe? These characters are all in their 20s. They should be at least a little funny. Also, are there no girls who go to Vanderbilt? I feel like they would outnumber the boys in the department. All the boys are hot, which makes sense because we're in a closet-case's POV, and of course it's about Southern white masculinity (the treatment of the three POC characters so far has been...something) but. There are many boys and I find it hard to distinguish any of them, or Halse's working-class mechanic character from any of the academic nerds. 

I'm about 2/3 through and we've just hit a curse, which is cool and which I would have liked to have happened much, much earlier, as the dark didn't feel dark enough through much of the book.
renay: photo of the milky way from new zealand on a clear night (Default)
[personal profile] renay posting in [community profile] ladybusiness
I finished What We Are Seeking this weekend and this book took me on a journey. I want to preface this long discussion of genre: I liked this book! If you like Le Guin's work, gender world building, or anthropological science fiction, you should consider reading it. You can sample two chapters from the beginning of the book via Civilian Reader, or read an excerpt with the weird plant stuff at The Nerd Daily.

( a lot of words about genre definitions. )

( shocking twist: I actually discuss the book! )

movies: Primetime, The Incomer

Oct. 13th, 2026 06:45 pm
snickfic: Gale Weathers from Scream 1 (Scream)
[personal profile] snickfic
Primetime (2026). Robert Pattinson stars as Chris Hansen, one-time host of NBC show To Catch a Predator, which catfished potential child predators.

Apparently Hansen was a bit of a meme on the late-00s internet, but I missed that entirely and had no idea who he was when the trailers for this started coming out. Even the name of the show was only distantly familiar. And based on that movie summary, I was not expecting to bother with it. Child predators: not a fun movie topic! I was eventually persuaded by reviews and one of the later trailers, which suggested that this was going to be Pattinson at his unhinged best.

Friends, if what you want is Pattinson being a slimy weirdo, this is absolutely the movie for you. He is the worst in the best way, and this is easily my favorite role of his since at least The Lighthouse, or maybe at all. This movie is also not all that interested in straightforward narration of facts and in particular is not interested in seriously exploring child sexual assault. This is a character study not even of Chris Hansen but an impressionistic exaggeration(?) of him. According to director Lance Oppenheim, the portrayal was mostly inspired by an unhinged Cameo video Hansen did. (Oppenheim also co-directed the new Elizabeth Holmes documentary that comes out this weekend, which if anything looks even more unhinged than Primetime.)

The movie follows Hansen through the brief interval between when his show got promoted to a slot opposite LOST and when a botched sting orchestrated by the show resulted in a district attorney committing suicide. Hansen's foil is sweet naive wannabe actor Dan (Skyler Gisondo, recently Jimmy Olson in last year's Superman movie), who's hired as a "decoy" pretending to be a minor in order to lure targets into the house where all the cameras are. I think Dan is supposed to be 23 playing a kid as young as 14, depending on the situation, and meanwhile the RL actor is 30, which is just one more thing about the movie that feels offkilter. Hansen, who generally has the people skills and empathy of a rock, intermittently sets himself to re-convince Dan of the heroic work he's doing in a way that makes it feel like he's talking to himself. Their interplay is one of the best parts of the movie. I also really enjoyed Hansen's producer, played by Merritt Wever, who has her moments of frustration but ultimately concludes that she's as happy chasing scandal and sensationalism as he is.

I would say this movie overall is not quite as wild as it could have been, given some of the hype I heard. It's still overally pretty conventional, so don't expect anything truly experimental. In any case, I had a good time.

--

The Incomer (2026). Domnhall Gleason stars as Daniel, an employee of the Scottish Council sent to a remote island in the Hebrides to inform the island's two adult sibling inhabitants that they're being evicted.

This is a comedy that derives its humor mostly from the three mains, who are all misfits in their own ways. The siblings have grown up with a family mythology instilled in them by their father, so they have a vicious fear of mainlanders and are convinced that a member of other generation must sacrifice themself to the sea to allow the family to continue to live there. Maybe it's even true, since the sister has frequent conversations with a humanoid fish creature who hangs out in a lagoon. Meanwhile, Daniel is a regular introverted nerd who loves fantasy stuff and is too shy to talk to anyone at the office. After he convinces the siblings to not tie him up anymore and let him sleep in the house, they cautiously become friends, only for things to be complicated when the Council sends various people to come rescue him.

I would say in general it's a fairly warmhearted movie. Daniel's efforts to convince the siblings to leave become progressively more genuine as the movie progresses, and the ending is good. I laughed at parts of it. I really liked Gayle Rankin as the sister and would absolutely watch her in more things. I also enjoyed the whole movie as an exercise in interpreting Scottish accents. There was only maybe one segment where I lost the conversational thread entirely, so I was proud of myself.

On the other hand, I really did not enjoy some of the broader humor. The brother is portrayed as an idiot manchild who variously sexually harasses Daniel, tries to strangle him for reasons, and tries to "give himself to the sea" as his father did before him. All this is just more awkward given that he is gay! The second mainlander to show up is also just too silly to be fun.

In conclusion, results: mixed.

hinterlands

Oct. 12th, 2026 11:44 pm
nnozomi: (Default)
[personal profile] nnozomi
So in this linguistically intractable but fascinating novel I'm trying to translate, an Uyghur character refers to the eastern parts of China as 内地. Translations I've seen, both from Chinese and Japanese, run to something like "interior, heartland"; that book I like Taiwan Travelogue, adopting colonial-era terminology, also uses it (to refer to Japan), and the English version uses "Mainland." There is a definite overtone of "suzerain." I'm at a loss how to do it in the (modern-day) "non-Xinjiang parts of China" sense, though, since "interior" is geographically confusing, "mainland" likewise, and "heartland" sounds emotionally wrong... maybe something like "the eastern cities" or even just "China"? Any ideas?

Like everything else oh dear (still), the question above also brought my farmboys to mind: the one who hails from Xinjiang likewise says 内地 on camera at one point, with the same meaning as in the novel. However, the program subtitles tend to be more politically cautious than the speakers, and what they said at that point was not 内地 but 疆外其他城市, other cities outside Xinjiang. This also happens for Hong Kong: in conversation everyone says 香港, like normal people, but the subtitles invariably say 中国香港, Chinese Hong Kong. (There are other less political and funnier subtitle weirdnesses, mostly related to the poor subtitlers having to cope with innovative uses of English, but I’ll save those for another day.)

Thanks mostly to halfcactus’ very helpful advice, I actually succeeded (well, mostly) in making a video of my own and putting it up on B站. I’m not linking anyone to it because the quality is so bad, between my terrible Chinese accent and the awkward manual subtitling (with at least one subtitle in the wrong place altogether…). Eventually when I get better at these things maybe I’ll revise and repost it, but for the moment I’m ready to go ahead and try another one, well, in a little while when I catch my breath. I wish I was more intuitively good at technology in general. As always the scale of Chinese fandom is just plain alarming, though, a hundred and fifty people watched this awful little video! (Although maybe they all back-buttoned after the first thirty seconds, I wouldn’t blame them.) It’s all experience, one way and another.

Lately at the Saturday juku I’ve been busy with seventh-grade Juki, who is Miss Moods, either low-energy and grumpy or sparkly and chatty depending on the day, with very strong opinions of her own on why she should not have to learn English (although like her older brother she’s bright). Physically she is small and adorable-looking with a long, thick ponytail and/or braids, in spite of which she favors the aggressively masculine first-person pronoun 俺.

Y was prowling around online and discovered the Sawada Mansion (= apartment building), which is...something else. It was built by Sawada Kano (I wondered if he was named for the Kano_baseball_team, same characters, but he was born just two years too early) with no qualifications and no training, getting his wife and ten-year-old daughter to run the heavy equipment on occasion. (More alarmingly, Sawada married his wife Hiroe, whose family was among his tenants, when he was about thirty and she was THIRTEEN. The police came and investigated whether he’d kidnapped her, Hiroe refused flat-out to go back to her birth family, and from all accounts they had a long and happy marriage, oh my god.) The building itself is illegal in all kinds of ways (although apparently safe) and the authorities at all levels have been throwing their hands up at it in despair for over fifty years. Originally it was meant to house single mothers and other people under social stress. The apartment numbers are more or less random and always have been, because the residents like it that way, although the postmen resent it. Overall it’s one of those things where the further down the Wikipedia page you read, the more your jaw drops. This photo (from a picture-book-to-be) gives it a rather Yamaguchi Akira slant (note the old-fashioned carp flags for Boys’ Day all flying from the roof, rather than on individual balconies the way people mostly do now).

Silly Chinese from a-Pei: in Taiwan underground floors are generally referred to, in descending order, as B万B兔B三 (I think the last one should be B伞).

Oh man, I spent half of today making 栗の渋皮煮, chestnuts stewed with brown sugar (kind of the Japanese version of marrons glacés), and it really does take half a day. I make it every year and every year I forget what a pain it is: you have to peel the chestnuts in two stages, boil and simmer them five different times… (and then clean up the sugar syrup that spills on the stove, and…). Ingredients-wise it’s very simple, just raw chestnuts, baking soda, a splash of dark rum and a horrific amount of brown sugar, but it’s a nightmare. Still, now I have delicious sweet chestnuts in syrup in the fridge (some for me and Y, some for his parents).
It was really such a Japanese afternoon, peeling the chestnuts while watching the NHK junior high school chorus competition on TV, the finalists from all over the country on stage with their winter uniforms, often adorable sailor suits, and solemn expressions and hours and hours of rehearsal behind them. They always sing THE MOST BORING SONGS IN THE WORLD—I heard this year’s set piece a dozen times today and I can’t remember one single thing about it, and most of the free-choice songs aren’t much better. There is so much good choral music out there, why??? (Also I have quarrels with the practice of making music into a competition to begin with, especially when things like conservatory places or professional careers aren’t on the line; during my one unrewarding year as assistant advisor to a school wind ensemble, I remember seeing my students weeping bitterly over getting silver rather than gold, and wondering why the hell they just didn’t stick to concerts and not bother with these competitions in the first place, it’s not like music requires winning and losing, unlike sports where it’s usually built in.)

Photos: quite a lot? Two views of Koron-chan, big round butt and big fluffy belly. Some Japanese lanterns, not lit yet (these three photos copyright Y).
Sunset with electric pole (also very Yamaguchi Akira, come to think of it). My lemon tree against the veranda goza, also at sunset. 金木犀, ah, fragrant olive? Osmanthus something? Not very exciting to look at but I wish I could send you all the lovely delicate sweet-citrus scent.
Boiled-egg plant, which produces pickled eggs as they ripen (honestly I don’t know what this is. Yellow eggplant? Yellow egg-plant?) Purple heart. Cat imitating an octopus.
River view from up high. Café menu because the name made me raise a brow (also it is not clear to me why the list of desserts includes a chicken and mushroom sandwich). Today’s chestnuts ready to go into the fridge.





Be safe and well.
snickfic: Text: It's always time for horror (mood horror)
[personal profile] snickfic
Let's Scare Jessica to Death (1971). A woman just released from psychiatric care, her husband, and their best friend and third move into a big old country house and immediately befriend the woman who's been squatting there. However, when Jessica starts seeing inexplicable things around the house, she's afraid her illness has returned.

From this description, one might conclude this is either about Mental Illness™ or ghosts, but in fact this is a vampire story. It's also a lot gayer than I expected at first, because the member of our household that squatter/vampire Emily is most interested in seducing is Jessica.

There's a lot of voiceover in this, either Jessica thinking to herself or Emily speaking to her telepathically. There's a lot of 70s color as the trio scandalizes the local populace by being hippies and driving around in a hearse. The husband sucks, as I feel is usual in these things. The title is kickass and IMO one of the more memorable things about the whole movie. ( spoilers )

In conclusion: it's fine.

--

Beware Bouina (2026). During their mission up the Amazon, a medical corps boat, including idealist Alli (Jessica Rothe from Happy Death Day) and local girl Lena (Kiana Madeira from the Fear Street movies) who's just searching for her brother, runs into both human trouble and a really big snake.

This was my most-anticipated movie of October even before I realized it was directed by Michael P Nelson, who directed the Silent Night Deadly Night reboot that I enjoyed so much. It sounds like the making of the movie was quite the experience, as they were really shooting on location in the Amazon. I feel like that's not the kind of expense that gets greenlit for a horror movie these days? I really enjoyed this interview with him about what that shoot was like.

Weirdly, after funding this moderately expensive horror movie, Lionsgate basically dumped it. My local theater only had one or two showings a day, and only for a week. Absolutely baffling.

Anyway, this was fun, and for my money much less cheesy than Anaconda (which I might just have seen way too late to properly appreciate). The characters all feel real, the CG is much better (a low bar), and it looks great. Like with The Odyssey earlier this year, the hindbrain knows that shit on the screen is real!

OTOH, the script, oooof. The plot kind of just lurches from one big event to the next, some of them feeling like either accidents or unrelated to the others. The fact that mostly people are against trying to hurt the snake means that the actual goal feels pretty muddled in the second half. At one point we grip the snake with a piece of heavy construction machinary, and it slips out easily, as one would expect given its size. It's just like, okay, what are you even trying to accomplish here?

One of the most-developed characters up to a certain point then gets eaten so unceremoniously that it took me a while to process they were actually dead. In general the movie inhabits this weird place where the characters are sympathetic and you're rooting for them, which I think is the Mike P Nelson touch, but then they still get treated like normall canon fodder, which makes things feel a bit pointless.

The worst, though, is the human antagonist who has a totally unmotivated heel-face turn in the last act. The movie tries to convince us that actually he's a good guy who went through a bad patch, but we have seen literally no evidence of this. He's just a huge waste of space in the story. I'd have liked him a lot better as a straight villain a la Jon Voight in Anaconda. It's another case where the movie seems kind of confused about what purpose its characters are supposed to serve in the narrative.

On a personal level, I really wanted the movie to lean more into the folk horror element.

Overall a good time despite its misteps, and it's not like there are a lot of watchable movies about giant snakes. I think it's basically gone from theaters already, but when it shows up on streaming you should check it out.

Dear Yuletide Author

Oct. 10th, 2026 02:30 pm
snickfic: (Yuletide)
[personal profile] snickfic
It is once again the most wonderful time of the year. <3 I am really excited about all my requests and cannot wait to see what you write! My AO3 is [archiveofourown.org profile] Snickfic.

Treats also welcome!

( Likes and Dislikes )

( Stoker )

( True Detective S1 )

( The Descent )

( The Dog Stars (2026) )

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